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	<title>Shingon Dharma Zazen &#187; meditation</title>
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		<title>Modified Sufi Chakra Meditation</title>
		<link>http://shingondharmazazen.wordpress.com/2007/12/27/modified-sufi-chakra-meditation/</link>
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		<pubDate>Thu, 27 Dec 2007 23:20:21 +0000</pubDate>
		<dc:creator>James Myoe</dc:creator>
				<category><![CDATA[Sufism]]></category>
		<category><![CDATA[Chakra]]></category>
		<category><![CDATA[Light]]></category>
		<category><![CDATA[meditation]]></category>

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		<description><![CDATA[Modified Sufi Chakra Meditation
The following is a variation of a healing and balancing practice that Pir Vilayat Khan has often used in retreats&#8211; good in early morning or at night.
This practice focuses awareness on the &#8220;mantle of light&#8221; that stands behind the physical body. This body of light is a very subtle reality, given emphasis in [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=shingondharmazazen.wordpress.com&blog=2306540&post=192&subd=shingondharmazazen&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p align="center"><b>Modified Sufi Chakra Meditation</b></p>
<p align="center">The following is a variation of a healing and balancing practice that Pir Vilayat Khan has often used in retreats&#8211; good in early morning or at night.</p>
<p>This practice focuses awareness on the &#8220;mantle of light&#8221; that stands behind the physical body. This body of light is a very subtle reality, given emphasis in spiritual traditions throughout the world. It is an organizing structure that corresponds to the various chakras, the energy centers described in yoga and eastern medicine. These centers receive impressions in day-to-day experience. Many of the impressions become lodged in the centers, and consequently deaden a certain area or energy meridian. This practice brings the release of impressions and a revitalization of the chakras.</p>
<p align="center">Imagine you are facing an extremely bright light, like a large searchlight. Feel the light permeating your cells. The cells, in response to the light, begin to open and come alive. Feel your body to be transparent, like a quartz crystal, as you allow the light to penetrate throughout your being. Try to maintain this concentration for at least five minutes.<br />
Now begin to become aware of a subtle aura around your body, a rainbow of colors. In the steps which follow, each of the chakras and its corresponding colors will be a focus for concentration. Try to spend at least two minutes on each chakra and color, and place your fingers on the chakra to help in maintaining the concentration. As you concentrate upon the chakra, imagine that the colored light is radiating, purifying and clearing impressions and memories that block the chakras.</p>
<p>While touching the general area of the chakra, breathe in with the thought of bringing the chakra alive, of instilling it with life energy, and breath out with the thought of radiating energy and light from the chakra.<strong>1. First chakra -</strong> This is located at the base of the spine, the point of contact with the earth. The color is reddish brown, a very subdued light. The light here sometimes seems blocked by the sheer denseness of matter. Feel your being solid and rock-like.</p>
<p><b>2. Second chakra</b> &#8211; This is the seat of the ego and of sexual energy, located in the small of the back, between the navel and the pubic bone, about three inches above the bottom chakra. The color is salmon. There is a sensitive point at the center of this chakra. Feel the strength and suppleness of the chakra, and accentuate it by concentrating on the color. Feel the connection with your primal, instinctual wish for survival.</p>
<p align="center"><b>3. Third chakra</b> &#8211; The next chakra is located at the solar plexus. This is the center most associated with the emotions. The color is ochre, or orange-yellow. There is often much stress and constriction surrounding this chakra. After concentrating upon the color, hold your hand out about five inches away from the solar plexus, palm facing your chest. Rotate your palm slowly in a clockwise direction, and have the sense of unwinding and releasing the constriction. Your hand thus sweeps around the solar plexus, and you will feel a definite effect of release from this movement.</p>
<p align="center"><b>4. Fourth chakra</b> &#8211; the next chakra, the heart center, is located about three inches directly above the solar plexus, in the center of the chest. A rich, golden light is central to this chakra. Concentration upon this color gives a sense of strength. It is especially useful when one is feeling depleted or in need of psychic protection. One could imagine a shield of golden light surrounding the chest. You will feel a sensitive point in the center of the rib cage that is the exterior center of this chakra. This center is the place where spirit and matter meet, the place of the alchemical marriage.</p>
<p align="center"><b>5. Fifth chakra</b> &#8211; The next chakra is located at the throat. Its center is at the point where the head and base of the neck meet. The color of this chakra is a deep emerald green, signifying the dispensation of a life-giving energy. This chakra, associated with sound and expression, is the accommodation through which the spiritual realms speak to us, through which guidance and creativity come.</p>
<p align="center"><b>6. Subsidiary chakra </b>- the eyes- The color associated with the physical eyes is sky blue. Some Tibetan Buddhists utilize this color as a singular object for concentration, in order to attain a very peaceful condition. As you inhale, imagine that you are looking at the deep blue sky, and that you could drink in the blue light through your eyes. Reverse the process on the exhalation, and exhale the light, along with any tension that the eyes hold. Repeat the breath and the concentration a few times.</p>
<p align="center"><b>7. Sixth chakra</b> &#8211; The next chakra, sometimes termed the &#8220;third eye&#8221;, is located in the center of the forehead. A subtle, violet light is associated with this chakra. It is the seat of intuition and insight. From this center, certain glands release the body&#8217;s natural relaxing agents during meditation.</p>
<p align="center"><b>8. Seventh chakra </b>- The last chakra, the&#8221; crown center&#8221;, extends as a series of concentric circles around the head. A diaphanous white color is associated with this center. Imagine being in a moonlit landscape of ice and snow, high in the mountains, at night. Allow the spaciousness and the rarefied air to permeate your being. Feel the part of your being that is detached, peaceful and free. The crown center has no boundaries and from it one&#8217;s consciousness may reach out into the cosmos.</p>
<p align="center">After concentrating on each chakra from bottom chakra to the top, you might again imagine another rainbow of colors, more subtle, which begins at the crown center, and which extends further and further out from the body. The ordering of the light remains the same but the colors continue to become finer and finer. You can continue the concentration to still another rainbow, ad infinitum, moving further into an abstract plane of consciousness.</p>
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			<media:title type="html">Aliases: Kukai Myoe, Kukai Mikkyo.</media:title>
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	</item>
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		<title>Yamada Mumon Roshi&#8217;s Words</title>
		<link>http://shingondharmazazen.wordpress.com/2007/12/19/yamada-mumon-roshis-words/</link>
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		<pubDate>Wed, 19 Dec 2007 15:42:59 +0000</pubDate>
		<dc:creator>James Myoe</dc:creator>
				<category><![CDATA[Tendai-shu]]></category>
		<category><![CDATA[Zazen]]></category>
		<category><![CDATA[meditation]]></category>
		<category><![CDATA[reprint]]></category>
		<category><![CDATA[Tendai]]></category>
		<category><![CDATA[Yamada Mumon Roshi]]></category>
		<category><![CDATA[zazen]]></category>
		<category><![CDATA[Zen]]></category>

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		<description><![CDATA[Yamada Mumon Roshi&#8217;s Words



 


Practice Zazen even for a layperson?


What is Zazen ?


Everybody is a Bodhisattva


How to Do Zazen


How to Control Breath and Heart




 

●Practice Zazen even for a layperson?

　Somebody asked me, &#8220;Is it useful to practice zazen even for a layperson?&#8221; I replied, &#8220;No. since man is an animal. for him to walk is more normal. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=shingondharmazazen.wordpress.com&blog=2306540&post=157&subd=shingondharmazazen&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><h4 align="center">Yamada Mumon Roshi&#8217;s Words<br />
<a name="TOP"></a><br />
<img border="0" align="left" width="209" src="http://i222.photobucket.com/albums/dd281/kukaicrowley/yamada.jpg" hspace="20" alt="MUMON IMAGE" height="309" /></h4>
<h5><a name="TOP"></a><br />
 </h5>
<ul>
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<h5><a href="http://null/#ZAIKE-e">Practice Zazen even for a layperson?</a></h5>
</li>
<li>
<h5><a href="http://null/#ZAZEN-e">What is Zazen ?</a></h5>
</li>
<li>
<h5><a href="http://null/#BOSATU-e">Everybody is a Bodhisattva</a></h5>
</li>
<li>
<h5><a href="http://null/#HOWTOZAZEN-e">How to Do Zazen</a></h5>
</li>
<li>
<h5><a href="http://null/#HOWTOHEART-e">How to Control Breath and Heart</a></h5>
</li>
</ul>
<p><a name="TOP"></a></p>
<h5></p>
<p> </h5>
<h5>
<hr /><a name="ZAIKE-e"></a>●Practice Zazen even for a layperson?</h5>
<h5><a name="TOP"></a><br />
　Somebody asked me, &#8220;Is it useful to practice zazen even for a layperson?&#8221; I replied, &#8220;No. since man is an animal. for him to walk is more normal. However, it is rather unusual for us to see a man who is walking in the true sense. Aren&#8217;t many people simply walking from force of habit? Are they not moving simply by drawing and extending their legs? Though they seem very busy in their daily lives, how many people are walking their own ways with a deep investigation into life?&#8221;</h5>
<h5><a name="TOP"></a>　&#8221;At the time of World WarⅡ, I heard a funny story. Somebody saw many people standing in a queue waiting their turn and thought that there must be something rare. After a long while he found himself waiting for somebody&#8217;s funeral ceremony. If one enters college because others do, or marries because others do, one&#8217;s life will not be one&#8217;s own. To avoid such an irresponsible way of life, man must stop himself to discover the right way to advance. To stop and think quietly in such a way is nothing but zazen.&#8221;</h5>
<h5><a name="TOP"></a>　My answer seemed to satisfy my guest, and he left delighted.</h5>
<h5><a href="http://null/#TOP">TOP</a> <a name="TOP"></a></h5>
<h5>
<hr /><a name="ZAZEN-e"></a>●What is Zazen ?<a name="TOP"></a></h5>
<h5><a name="TOP"></a><br />
　Then what does one think of while sitting quietly? What he should think of is his real self who sees, listens, laughs and cries. To think &#8220;Who am I?&#8221; is zazen. The result is the realization that not to think is the best thinking. In other words, the thing which one does not need to think of at all is his real self. This is exactly what the Japanese Zen master Dogen once said : &#8220;Think what you do not think.&#8221; You might say,&#8221; If one does not need to think, then why practice zazen?&#8221; But this is not correct. The mind is not so simple. It is filled with so-called instinct, habit, thought and intellectual judgment. These do not comprise the real self, but they delude the real self by arising from somewhere like a cloud or fog ; therefore, they can be called illusion or ignorance. In clarifying such a mind by quiet sitting, we will find the real self where there is no fog of illusion nor clouds of ignorance. To live brightly, correctly, and vitally in this realized true self is Zen itself. Zazen is the best way to acquire this quiet thinking and clarified mind.</h5>
<h5><a name="TOP"></a>　There are four meditation postures : walking, standing, sitting, and lying down. The sitting posture is the most quiet of these four. To sit, clarifying the mind, entering the state of no-mind where we do not think of anything is zazen. The ancestors said, &#8220;Not to think anything is the only training for being a Buddha.&#8221; To sit on this very ground is to become one with the whole universe. The Chinese character for sitting is symbolized by two people who are sitting on the ground. In the Western tradition heaven seems to me to be the secret place of God; the earth, dirty and sinful. However, in Oriental religion we find the light of the Buddha in sitting on this dirty earth. To grasp the wisdom of emancipation while within the dust and suffering through sitting is zazen.</h5>
<h5><a name="TOP"></a></p>
<p> </h5>
<h5>
<hr /><a name="BOSATU-e"></a>●Everybody is a Bodhisattva<a name="TOP"></a></h5>
<h5><a name="TOP"></a><br />
　Mahayana Buddhism, that is to say, the way of the Bodhisattva, is a layperson&#8217;s Buddhism.</h5>
<h5><a name="TOP"></a>　Its core is the lay people who are to be saved in the midst of daily life in society, business and home. You will usually see Bodhisattvas with long hair wearing such decorations as necklaces, earrings or bracelets. By these we recognize the Bodhisattvas as the symbol of lay people.</h5>
<h5><a name="TOP"></a>　Among the Bodhisattvas we see that only Jizo has a shaved head. He is known as the Bodhisattva who incarnates himself in all six worlds of living beings-the worlds of hell, evil, and animals-in order to save those who are suffering from even the deepest agony. Such people in extreme agony would find their savior more certainly in a saint with a shaved head who has thrown away his desire than in one who is enjoying a luxurious secular life. In this respect, a Bodhisattva Priest is also required. As you may know, Saint Shinran (1173-1262), the founder of the Pure Land faith in Japanese Buddhism, never took off his priest&#8217;s robe or surplice though he strongly supported lay Buddhism.</h5>
<h5><a name="TOP"></a>　All who promise to seek the wisdom of awakening and to serve all human beings are without exception Bodhisattvas.</h5>
<h5><a name="TOP"></a>　Those laymen and women who join our zazen are also Bodhisattvas-Bodhisattvas who study prajna-wisdom.</h5>
<h5><a name="TOP"></a>　In the Buddha mind there are two aspects; wisdom and compassion, just as the sun shines making light and heat.</h5>
<h5><a name="TOP"></a>　To seek for wisdom or &#8220;Bodhi&#8221; is to train oneself in the practice of awareness. Compassion is the practical manifestation of wisdom. To attempt to save sentient beings is to practice Buddha&#8217;s wisdom, even if we are not awakened to it ourselves. &#8220;Compassion is not far from us.It is here in our hands whenever we practice.&#8221;</h5>
<h5><a name="TOP"></a>　My master Seisetsu Roshi used to say, &#8220;We Zen brothers who are wearing monk&#8217;s robes with shukin belt and surplice can be compared to the gift wrapped up with special paper and tied with a ribbon to present ourselves to Buddha.</h5>
<h5><a name="TOP"></a>　This style itself is the worshipping style for all human beings. Therefore, you must care for such a body as that which is not yours any more.&#8221; In this way, you must have great devotion to dispel all human suffering. In short, this is the Bodhisattva&#8217;s vow : &#8220;Though there are innumerable sentient beings, I vow to save them all.&#8221; When one utters such a great vow, he at once achieves his real awakening.He is already Buddha or a Bodhisattva although he has not been awakened yet.</h5>
<h5><a name="TOP"></a>　Seisetsu Roshi was studying under his master Ryoen Roshi, at Tokko-in temple in his youth. One day Seisetsu Roshi was scolded by the master who said, &#8220;Such a dishonest man as you would be better off making a pilgrimage to the sacred Buddhist places in Shikoku island_ (There are eighty-eight sacred places in Shikoku island even today. ) He started to make his pilgrimage and one day came to the bridge called Toyo-no-hashi (Bridge of Ten Nights) which is said to have been built by the ancient Buddhist saint Kobodaishi. There is a custom that travelers must take off their straw sandals whenever they cross it. But the young monk Seisetsu, considering that he had exactly the same qualities as the saint, walked over it with sandals. When he reached the other side of the bridge, he found the notice-board on which Saint Kobo-daishi&#8217;s poem was written as follows :</h5>
<h5><a name="TOP"></a>　Suffering people passing over from their life-travel,<br />
　The bridge so busy that one night seems as ten.</h5>
<h5><a name="TOP"></a>　Reading this, tears welled up in his eyes and he turned back to cross the bridge barefoot. It is important to note that he was so innocent. Dogen Zenji, the founder of Japanese Soto Zen, writes,</h5>
<h5><a name="TOP"></a>　Even though I might not become Buddha because of my ignorance,<br />
　I vow to save all others since I am a priest.</h5>
<h5><a name="TOP"></a>　In this way, those Bodhisattvas who study Prajna-wisdom, whether priests or laypeople, must first have great compassion in saving all sentient beings, even though they are innumerable, and to make Buddhas of them.</h5>
<h5><a name="TOP"></a>　To practice zazen must not be for one&#8217;s own self but for all human beings in this society. It should not be done only for the comfort of oneself, much less for one&#8217;s success in life.</h5>
<h5><a name="TOP"></a>　To do zazen for such a purpose will cause you to fall into hell and be charged by the lord of hell for every meal you have ever eaten.</h5>
<h5><a name="TOP"></a><br />
<a href="http://null/#TOP">TOP</a> <a name="TOP"></a></h5>
<h5>
<hr /><a name="HOWTOZAZEN-e"></a>●How to Do Zazen<a name="TOP"></a></h5>
<h5><a name="TOP"></a><br />
　Now we come to the state of mind where the way of zazen is taught. First of all, when we start zazen, we have to discard all that is connected with our sense organs and intellect. We have to give up everything around us.</h5>
<h5><a name="TOP"></a>　There are various lengths of zazen training : a ninety-day retreat, a one-week sesshin, two hours a night, ten minutes after washing one&#8217;s face in the moming and so on. In any case, during those times you have to forsake everything except doing zazen. You have to forget all those matters of official business, of home, of social relations, of the world situation; and about love or hate, joy or sorrow, loss or gain.</h5>
<h5><a name="TOP"></a>　You may complain about doing such a leisurely thing in your busy life. But zazen is a big undertaking which changes sentient beings into Buddha. It is as revolutionary as holding the whole world in one&#8217;s own hand or to grasp the freedom to chose either to die or to be revived. It is not easy. Bodhidharma has written :</h5>
<h5><a name="TOP"></a>Not concerned with outer things,<br />
Without having any troubles inside ;<br />
If one&#8217;s mind is like a wall,<br />
He would at the same time be in Tao (Truth).</h5>
<h5><a name="TOP"></a>　Cutting out all overwhelming secular relations, not having stormy waves inside one&#8217;s mind, if a man can be in the state of mind like a firmly founded wall, he will grasp the great Tao which he has never found before. The sixth patriarch of Chinese Zen, Hui-neng, once defined zazen by saying, &#8220;Not to have any consciousness of good or evil outwardly is called Za ; not to move from seeing self-nature inwardly is called Zen.&#8221;</h5>
<h5><a name="TOP"></a>　In this respect, it follows naturally that when the mind moves the body follows, and when the body sits quietly then the mind at the same time sits in peace. For body and mind are not separate ; they are one. It is abnormal for mind and body to move in different directions, or the mind to move when the body is quiet. It is said, &#8220;When man eats a meal, he should identify with the meal.&#8221; In the same way, when he works, work itself works; when he does zazen, zazen itself meditates. This is what the text means by &#8220;Movement and stillness are not separated.&#8221;</h5>
<h5><a name="TOP"></a>　I know a master of Utai (chanting of No texts) in Kyoto.</h5>
<h5><a name="TOP"></a>　He is widely known today, but in his younger days he had a diffcult time. He used to be a Christian but later began to do zazen at the monastery. He has told me that when one starts to sing the Utai, one begins with the word &#8220;Korewa.&#8221; The word &#8220;Korewa,&#8221; therefore, is the key word in the Utai, and upon hearing it one can judge the ability of the singer.</h5>
<h5><a name="TOP"></a>　As soon as the singer is able to identify with this word, he starts to sing. To train for singing Utai, my friend practiced zazen. He also says that the highest state of No dance is Zen itself. No dance is nothing but zazen in motion. There exists an unmoving thing in the movement itself. In other words, what is not moving is moving. This is the spirit of No dance where there is no separation between movement and stillness. In the same way, the art of tea and Zen are one ; the art of sword and Zen are one.</h5>
<h5><a name="TOP"></a>　You must train yourself for this oneness in your work in the garden, begging in town, in standing, and in sitting.</h5>
<h5><a name="TOP"></a>　Concerning meals (in the monastery), it is said in the Gokan-no-ge (five-line vow said at mealtime) that to eat good medicine (i. e., a meal) is only for the healing of the slender body. If a meal is taken as medicine, we must partake of it in correct measure in time and quantity.</h5>
<h5><a name="TOP"></a>　Originally, in the Buddhist precepts a snack was not allowed. From lunch of one day to breakfast of the next morning monks were allowed only liquid refreshment but not solid food. My teacher, under whom I studied Tibetan Buddhism in my youth, kept this strict rule throughout his life. For doing zazen, nighttime is most suitable for achieving samadhi (deep concentration). If one takes a meal in the afternoon, drowsiness causes difficulty in reaching samadhi.</h5>
<h5><a name="TOP"></a>　Sleep must also be carefully controlled. Neither too brief nor too long a period of sleep is good. We should take the middle way in every case. Buddha explains this truth with a beautiful example saying, &#8220;Strings neither too taut nor too loose can sound a beautiful tone.&#8221;</h5>
<h5><a name="TOP"></a>　When one begins zazen, a quiet place is best. Though the great Zen master Daito Kokushi in his poem recommends a noisy place such as on a big bridge, this practice would be possible only for mature zazen students. Beginners would be distracted by the exterior disturbances, and passers-by would not be thought of as mountain trees as Daito Kokushi suggests. Upon finding a quiet place, situate a thick cushion as comfortably as possible for the length of time you wish to sit. Dress or belt should be worn loosely,yet without being sloppy.</h5>
<h5><a name="TOP"></a>　In his autobiography, Kodo Sawaki Roshi relates a humorous experience which happened in his youth at his master&#8217;s temple. One day all the disciples left the temple except the young monk, Kodo. Having nothing to do he entered a small closet and practiced zazen. At that time the elderly maid of the temple came to the closet, opened the door and was so surprised to see him there, meditating, that she began to bow deeply again and again. Kodo thus realized how noble the zazen posture must appear. Zazen posture, having dignity, is Buddha himself.</h5>
<h5><a name="TOP"></a>　(To practice zazen) we must sit in a cross-legged posture (lotus posture). The Chinese word, kekka fuza, literally means folding the legs showing the soles of the feet. First of all, put the right foot on the left groin (the root of the thigh), then the left foot on the right groin so that both legs are crossed tightly. This is called kekka fuza which is a perfectly immovable posture. This position, however, is rather hard to maintain for the beginner because it may cause cramps. In such cases, hanka fuza is allowed. This is only a half-crossed legged posture. Either leg can be put on the other. The posture in which left foot is placed on the right thigh is called kissho-za and the opposite is called goma-za.</h5>
<h5><a name="TOP"></a>　After the legs have been fixed, put the right hand on the crossed legs and the left hand on the right palm, making a small round circle with the thumbs barely touching each other. Next, raise the body quietly and move it forward and backward, to left and right several times to fix the central axis of the body. Then sit upright, extending the backbone as much as possible. Our teachers compare this to the bamboo that is so straight that a stone dropped from the top of it reaches the bottom without any interruption.</h5>
<h5><a name="TOP"></a>　The perfect posture of zazen creates an isosceles triangle with legs and backbone forming a ninety degree angle. We have to be very careful not to bend too far forward nor too far backward. In this way the zazen posture should resemble a stupa by piling up hip bone, backbone and skull, one on top of the other.</h5>
<h5><a name="TOP"></a>　In India after the Buddha&#8217;s death, eight stu-pa (or pagoda) were built in eight districts to be worshipped as symbols of the Buddha&#8230;. In Burma and Thailand the pagoda is considered to be most holy. In China and Japan there are many outstanding pagodas made of wood, stone and marble of three or five stories. When we investigate the framework of the five-story pagoda, we are surprised to discover its layered structure balances by hanging from a central axis from the top of the pagoda instead of being built up from a stone base. For this reason these pagodas have stood a thousand years in countries of frequent typhoons and earthquakes. Our human life should be like that. If we are free from all disturbance from the outer world and the inner world, we might remain apart from all attachments, progress to the world of Nirvana, and grasp eternal life. This is zazen.</h5>
<h5><a name="TOP"></a>　Zazen requires a correct and orderly posture, yet it should not be too strained. It is not recommended to throw the head so far back that others feel uncomfortable. Since it is said &#8220;Zazen is the dharma teaching of comfort&#8221;, it should be done in a totally relaxed and comfortable position. However one must make the body erect by straightening the backbone directly upward. Ears and shoulders should be parallel, nose and navel also. But it would be almost impossible to keep nose and navel in one line unless one&#8217;s abdomen is extended outward as much as possible. &#8220;The tongue should touch the upper jaw.&#8221; The author of the text is very careful even about small parts of the body. It is true that every part of the body should be correctly positioned, otherwise correct zazen cannot be done. Lips and teeth should be closed. Eyes should remain slightly open so that an area only three feet ahead can be seen. People might suppose that with the eyes closed, one could reach calmness more easily ; however, that is mistaken. Closing our eyes, our mind fills with illusions, and we might easily fall asleep. The patriarch, taught us to open our eyes as much as possible in zazen just as the picture of Bodhidharma, the founder of Zen Buddhism, shows us. We have never seen a picture of Bodhidharma with his eyes closed. Even though visual distractions occur, you should always be free from them, letting them go as they arise. If you become accustomed to zazen with your eyes closed, zazen will be ineffective when your eyes are opened, especially in busy places. On the contrary, if you train your samadhi power throug11 open-eyed zazen, wherever you are, you will not lose your power of meditation.</h5>
<h5><a name="TOP"></a>　The author of the text warns not to think that practicing zazen in a dark place where nothing is seen or heard is relaxing. This dark place is not the area of the awakened at all. It is in the midst of the ignorant. You cannot achieve real kensho (seeing the Buddha nature) unless you break through this dark place. &#8220;Deep significance lies here. Only a man of attainment would know it.&#8221;</h5>
<h5><a name="TOP"></a><br />
<a href="http://null/#TOP">TOP</a> <a name="TOP"></a></h5>
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<hr /><a name="HOWTOHEART-e"></a>●How to Control Breath and Heart<a name="TOP"></a></h5>
<h5><a name="TOP"></a><br />
　The above has outlined the way to sit. Next we must regulate the breathing. To regulate breath is very important in zazen. The ancients knew that any person can understand breathing, so that teaching the control of breathing is extremely important.</h5>
<h5><a name="TOP"></a>　Concerning the breath, there are four ways of meditation explained in the Tendai texts. They are fu, zen, ki, soku. Fu implies snorting breath. This is not good. Zen means purring breath which is also not good. Ki means disordered breath, sometimes too fast, sometimes too slow. Lastly, soku means the most perfect breath which is continuous and quiet as if it were faint breath. We have to shape our breathing into such long deep breaths. The ancients made a strenuous effort to practice such breathing. Some of them even placed feathers on their noses while meditating. For correct breathing : exhaling, pull in your abdomen; when you&#8217;ve exhaled all your air completely, you will naturally inhale; air will flow in and your abdomen will expand. While exhaling, include the counting of your breaths. Continue this ring of consciousness, repeating the counting without any pause at all. If a pause occurs at this time, illusions and mirages will come into your zazen at once. If even one illusion is raised, cut it immediately with your concentrated breathing.</h5>
<h5><a name="TOP"></a>　With the physical posture and breath controlled, start zazen in a relaxed way by naturally concentrating your strength in your abdomen. We must now control the mind or, as the text states it, &#8220;Think not of good and evil.&#8221; It is, however, unimaginably difficult to control the mind. The Buddha said, &#8220;The mind is like a venomous serpent, a wild animal, or a sworn enemy.&#8221; You might think that while sitting in such quiet circumstances nothing arises to disturb the mind, but it is not so. The quieter the circumstances become, the more disordered the mind may grow. Many things may appear, one after the other. Even the great Hakuin Zenji confessed that while he was doing zazen, he remembered such a small event as the lending of a few bowls of rice and beans many years before to the next door neighbor. It is strange that we remember the things we do not usually even consider. In the meditation hall only the sound of the bell and wooden clappers enter through our senses, but many things arise in the mind to be considered. We come to realize how much man thinks about the unnecessary ; how corrupted man&#8217;s mind is. Our mind is polluted like a muddy ditch from which marsh gas constantly springs. We cannot imagine what will appear or spring up. Buddhism calls this dirt encrusted mind alaya, which means an accumulation of subconscious images. To cut away this mass of delusion with the sword of prajna-wisdom, so that we may discover the bright mind of the real self, is called the controlling of mind.</h5>
<h5><a name="TOP"></a>　As the text says, we should not think good or evil, advantage or disadvantage, love or hate. This no mind state where nothing exists is the correct posture of the mind. Dogen Zenji says, &#8220;Don&#8217;t think anything.&#8221; He recommends controlling the mind, pointing to the real self which is the mind of nonthinking. Since illusion and delusion, like mist, have no substance, they will disappear if we do not focus on them. In Zen Buddhism we also throw away all illusions by concentrating our mind on the problem the koan suggests. Therefore, the text says, &#8220;Be aware of illusions, then they will disappear.&#8221; Cut all illusions. Concentrate your whole mind on the koan, day and night, without any dualistic consciousness. Then, naturally, the inward and outer worlds, self and universe, subject and object, become one. In due time, the event we have sought is realized, yet it cannot be explained. At that moment we experience the inexpressible comfort of spiritual freedom, and the unique flavor of zazen springs up from the deep.</h5>
<h5><a name="TOP"></a>　This experience is not yet satori-awakening ; it is not yet &#8220;seeing one&#8217;s true nature&#8221; or &#8220;becoming Buddha.&#8221; In the Mumonkan an old Zen text called the &#8220;Gateless Gate,&#8221; it is said,</h5>
<h5><a name="TOP"></a>Once breaking through [the mass of great doubt] as if with the sword of General Kwan, one gains the great freedom at the juncture of life and death to kill the Buddha when he meets him, to kill the Patriarch when he meets the Patriarch and so receives the freedom of enjoying the situation wherever he may stand.</h5>
<h5><a name="TOP"></a>　We must have such a breakthrough experience where we realize real subjectivity and real freedom. There man becomes the master of the world and there evolves his life of negating and creating freely.</h5>
<h5><a name="TOP"></a>　Zazen is, in this way, more than control of posture, breath and mind, but also, on a wider scale, circumstances, family and, fially, society. Therefore, zazen is not easily accomplished.</h5>
<p><a name="TOP"></a><font size="4"><b><br />
</b></font><a href="http://www.zazen.or.jp/E-HOMEPAGE/mumon-e.html#TOP">http://www.zazen.or.jp/E-HOMEPAGE/mumon-e.html#TOP</a></p>
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		<title>A six step method for mind training</title>
		<link>http://shingondharmazazen.wordpress.com/2007/11/18/a-six-step-method-for-mind-training/</link>
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		<pubDate>Sun, 18 Nov 2007 07:04:26 +0000</pubDate>
		<dc:creator>James Myoe</dc:creator>
				<category><![CDATA[Tendai-shu]]></category>
		<category><![CDATA[meditation]]></category>
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A six step method for mind training



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Source: Master Chih I (538-598) 
Fourth Patriarch of the T&#8217;ien T&#8217;ai School










  
  




Breath is the source of life. When breathing stops the body is just a lifeless object and, because the nervous system no longer works, the mind just vanishes. So we see that life is preserved by breath which links [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=shingondharmazazen.wordpress.com&blog=2306540&post=89&subd=shingondharmazazen&ref=&feed=1" />]]></description>
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<h1>A six step method for mind training</h1>
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<h4 align="right"><a href="http://myoe1963.wordpress.com/wp-admin/#Source">Source</a>: Master Chih I (538-598) <br />
Fourth Patriarch of the T&#8217;ien T&#8217;ai School</h4>
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<td width="50%">Breath is the source of life. When breathing stops the body is just a lifeless object and, because the nervous system no longer works, the mind just vanishes. So we see that life is preserved by breath which links body with mind and ensures their existence. Although you can&#8217;t see it, air moves in and out of your nostrils when you breath. So there is body and mind with breath linking and uniting them.</td>
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<hr />There are three practices in moving from the mundane to the sublime and the &#8216;main practice&#8217; is essential for changing mental gear. <em><a href="http://myoe1963.wordpress.com/wp-admin/#Stop">Stopping</a></em> (Chih or Samatha) gives the first hint that there is sunshine behind the clouds of illusion and <em><a href="http://myoe1963.wordpress.com/wp-admin/#Contemplate">Contemplating</a></em> (Kuan or Vipasyana) is the technique that opens the doors to clear perception.</td>
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<li><font size="2">Preliminary practice</font>
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<li><a href="http://myoe1963.wordpress.com/wp-admin/#Count"><font size="2">count the breaths</font></a></li>
<li><a href="http://myoe1963.wordpress.com/wp-admin/#Follow"><font size="2">follow the breaths</font></a></li>
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<li><font size="2">Main practice</font>
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<li><a href="http://myoe1963.wordpress.com/wp-admin/#Stop"><font size="2">stop following the breaths</font></a></li>
<li><a href="http://myoe1963.wordpress.com/wp-admin/#Contemplate"><font size="2">contemplate the breaths</font></a></li>
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<li><font size="2">Concluding practice</font>
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<li><a href="http://myoe1963.wordpress.com/wp-admin/#inseparable"><font size="2">realise that breath and breather are inseparable</font></a></li>
<li><a href="http://myoe1963.wordpress.com/wp-admin/#pure being"><font size="2">realise pure being</font></a></li>
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<h2><a name="Count" title="Count"></a>Count the breaths</h2>
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<td width="50%">Having regulated your breath so that it is neither tight nor loose, count slowly from one to ten for either in breaths or out breaths. Fix your attention on the counting so that your mind does not wander. If you notice that your mind has gone somewhere else and you have lost the count, go back to one and begin again. </td>
<td width="50%" vAlign="top">With practice you will get good at this counting procedure. Your breathing will become so fine that it is almost uncountable.</td>
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<h2><a name="Follow" title="Follow"></a>Follow the breaths</h2>
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<td width="50%" vAlign="top">Stop counting the breaths but focus your mind on following them in and out. In this way your mind and your breathing will become mutually dependent. </td>
<td width="50%">As your mind becomes more peaceful you will notice the lengths of your breaths and you will feel as if they pass through all the pores of your body. Your intellect is now quiet and still.</td>
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<h2><a name="Stop" title="Stop"></a>Stop following the breaths</h2>
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<td width="50%" vAlign="top">Stop putting attention on the breathing and instead intentionally (yet unintentionally) fix your mind on the tip of your nose </td>
<td width="50%" vAlign="top">While doing this you will suddenly notice that your body and mind seem to vanish and you will be in a state if stillness</td>
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<h2><a name="Contemplate" title="Contemplate"></a>Contemplate the breaths</h2>
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<td width="50%">Although this state of stillness is very pleasant the next task is to turn the mind back on itself. The in and out breaths will now appear to be like wind in the void and to have no reality of their own. </td>
<td width="50%" vAlign="top">With practice there will be a clear feeling that the breath enters and leaves the body through all its pores.</td>
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<h2>Realise that breath and breather are <a name="inseparable" title="inseparable"></a>inseparable</h2>
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<td width="50%" vAlign="top">There will still be an impression of a subjective mind which contemplates the objective breath. These are viewed as two parts of a duality and the absolute state of the fundamental mind has not therefore been reached. </td>
<td width="50%">The &#8217;subjective knower&#8217; follows &#8216;the breath&#8217; as it rises and as it falls. But &#8216;rise&#8217; and &#8216;fall&#8217; are fundamentally illusory and unreal: like &#8216;waves&#8217; that rise from &#8216;water&#8217;, they only appear to exist. The mind that rises and falls is not the true, underlying, uncreated self-mind. The self-mind is beyond &#8216;is&#8217; and is therefore void. There is no subjective mind that contemplates and no object to be contemplated. Knowledge and its object vanish.</td>
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<h2>Realise <a name="pure being" title="pure being"></a>pure being</h2>
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<td width="50%">There will still be an idea of no knowledge and no object. This is removed when the mind becomes pure and clean through not discriminating. The mind becomes still like calm water and contains no discriminating (unreal) thoughts. The return of the false to the real is like waves subsiding to reveal the water.</td>
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<h3><a name="Source" title="Source"></a>Source:</h3>
<p>The ultimate source is <em>The Six Profound Dharma Doors </em>(Lu Miao Fa Meng) of Chih I but as this contains much abstruse jargon Yin Shih Tsu paraphrased it in Chapter 6 of his <em>Experimental Meditation for the Promotion of Health</em>. This is quoted in Charles Luk&#8217;s (Lu K&#8217;uan Yu) (1964) <em>The Secrets of Chinese Meditation</em>; Rider; ISBN 0 09 155091 2 and the above version is based loosely on that translation.</td>
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<p><a href="http://www.srds.co.uk/begin/chih_i.htm">http://www.srds.co.uk/begin/chih_i.htm</a></p>
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		<title>The Chen Yen Meditation Tradition</title>
		<link>http://shingondharmazazen.wordpress.com/2007/11/16/the-chen-yen-meditation-tradition/</link>
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		<pubDate>Fri, 16 Nov 2007 17:43:43 +0000</pubDate>
		<dc:creator>James Myoe</dc:creator>
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About the Chen Yen Meditation Tradition 
Shifu Nagaboshi


Meditation practice has developed many forms of training which lie perhaps at an opposite end of the spectrum to learned, intellectual knowledge. In our group we view all meditations as falling into one of two realms: those ‘with structure’ and those ‘without structure’.The meditations ‘with structure’ are embraced [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=shingondharmazazen.wordpress.com&blog=2306540&post=83&subd=shingondharmazazen&ref=&feed=1" />]]></description>
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<h2 align="center"><font color="#280099"><font face="Arial, sans-serif">About the Chen Yen Meditation Tradition </font></font></h2>
<p align="center"><font color="#280099"><em>Shifu Nagaboshi</em></font></p>
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<td width="100%"><font color="#000000"><font face="Arial, sans-serif"><font size="2">Meditation practice has developed many forms of training which lie perhaps at an opposite end of the spectrum to learned, intellectual knowledge. In our group we view all meditations as falling into one of two realms: those ‘<em>with structure’</em> and those ‘<em>without structure’</em>.</font></font></font><font color="#000000"><font face="Arial, sans-serif"><font size="2">The meditations ‘with structure’ are embraced by many of the World’s religious systems and although sometimes very different in practice requirements, they do accept the importance of inner rather than outer knowledge.</font></font></font><font color="#000000"><font face="Arial, sans-serif"><font size="2">Meditation within Christianity, especially in the Russian Church, often includes prayer repetition together with contemplation upon some aspect of the central Divinity, e.g., the compassion of God, the nature of Jesus, or specific attributes of saints. There are also many forms of concentrative prayer involving continued recital in a manner similar to Oriental systems.</font></font></font></p>
<p><font color="#000000"><font face="Arial, sans-serif"><font size="2">In Judaism, love of the Torah (the books expressing the teachings of the God through Moses) thematises a central point for contemplation.</font></font></font></p>
<p><font color="#000000"><font face="Arial, sans-serif"><font size="2">In India, the followers of the Vedas practice meditation upon universal principles and qualities, conceiving these qualities as emanations of their central Divinity.</font></font></font></p>
<p><font color="#000000"><font face="Arial, sans-serif"><font size="2">All of these forms of meditation are externally orientated in that they conceive or presuppose that spiritual development comes from an understanding of, or communication with, something external to the practitioners’ consciousness. However diverse these practices, most involved spiritual systems do acknowledge that the understanding developed within meditation or some similar supra-intellectual practice is useful and relevant to the development of spiritual perception. They all clearly recognise that Wisdom can be developed out of the context of formal knowledge, and that Compassion also can be developed out of the ordinary social or hospital services environment.</font></font></font></p>
<p><font color="#000000"><font face="Arial, sans-serif"><font size="2">The extreme differences within the various schools of practice invariably stem only from their descriptions of, or orientation towards, the understanding of the practice itself. What one calls ‘the will of God’ another views as ‘inward perception’. While one conceives World peace as being borne of the ‘Spirit of Krishna’ , another views it as the manifestation of ‘Eternal Law’ as revealed by prophets.</font></font></font></p>
<p><font color="#000000"><font face="Arial, sans-serif"><font size="2">Within the schools of Mahayana Buddhism there are also practices ‘with structure’ similar to those of non-Buddhist teachings. In Shin Buddhism Enlightenment is viewed as developing from within the faith inspired by Amida Buddha. In other sects who follow the teachings of the Lotus Sutra, faith is also a central virtue to be accrued. There are many other newer religious systems in Japan sharing this orientation.</font></font></font></p>
<p><font color="#000000"><font face="Arial, sans-serif"><font size="2">Sometimes, although some form of faith is required, the object of faith itself is not described at all. In Taoism the ‘Way’ is viewed as being manifest in any experience or situation and Taoism expresses itself in non-expression. To quote the opening lines of the “Tao te Ching” : “The Way that can be spoken of is not the Eternal Tao”. The higher, non-superstitious, forms of Taoism accord with this ideal. Taoism shares this principle of non description with the meditational schools of the other category mentioned, that of the ‘non structured’.</font></font></font></p>
<p><font color="#000000"><font face="Arial, sans-serif"><font size="2">The Buddhist schools that express this ideal perfectly are those of the Ch’an sect and those of the Chen Yen. Within Ch’an (Zen) meditation practice itself it is seen as the apex of all Buddhist understanding. Despite the influence of Pure Land Buddhism upon its Chinese form the modern and Japanese Zen schools hold true to this tenet. No representation of the Buddha is needed in practice and Zen temples are renowned for their austerity and simplicity.</font></font></font></p>
<p><font color="#000000"><font face="Arial, sans-serif"><font size="2">The Chen Yen (Shingon) school attains the same end by a different process. In its meditations great use of both structured and unstructured meditation is made but these are viewed as being equally valueless predicates of the reality experienced within the attainment of Wisdom. Both Ch’an and Chen Yen base their teachings around the doctrine of self-lessness (<em>muga</em>). Their teachings are only methods and means to attain this self-lessness. Within Chen Yen, ritual plays an important part of the training, although many of the rituals are in fact seen as meditation practices in themselves. This fact differentiates Chen Yen ritual from other schools using ritual observances.</font></font></font></p>
<p><font color="#000000"><font face="Arial, sans-serif"><font size="2">Zen sects also use a great number of rituals, although in many of the popular books one reads very little mention of this is made. The Zen temple practices many diverse forms of rituals through its year. The manner in which Zen views ritual is the same as in other sects, only the Chen Yen considers it differently.</font></font></font></p>
<p><font color="#000000"><font face="Arial, sans-serif"><font size="2">Chen Yen sees the principle of Enlightenment in every manifestation. It is represented in various symbolic manners, most commonly in the form of Vairochana Buddha. Vairochana is present everywhere. He is the synonym for the universal enlightenment of all beings. He epitomises their ability to attain complete and perfect wisdom within this lifetime and within this body. Only the Chen Yen school considers itself esoteric. It views all others as exoteric in nature. A parallel can be drawn to the Ch’an school in the practice of the Christian Trappist monks who follow a very similar form of training involving silence, abstention and devotion. The Chen Yen school however has no real parallel in any other system except perhaps simple Shamanism or European occultism. Because both Ch’an and Chen Yen begin from the point of agelessness in action, they can incorporate many other things into their practices without compromising their essential doctrine. They are free to do so by virtue of the teaching that everything should be seen as potentially wisdom-enclosing and self-less in nature. Because of this freedom Chen Yen and Ch’an have in fact taken different forms through history. They preserved their teachings within periods of history inimical to Buddhism in general. They developed adaptability and a non-reliance upon either centralised organisation or authorised scriptures.</font></font></font></p>
<p><font color="#000000"><font face="Arial, sans-serif"><font size="2">Chen Yen uses elaborate rituals of Initiation and Empowerment to express development in understanding. It upholds the concept of one’s teacher being equivalent to the aspired for Wisdom but because of its selflessness base, the concept of this wisdom &#8211; as distinct from the attainment of it &#8211; is seen as universal in essence. Thus anything can be used as a skilful means to develop the Bodhisattva heart, ritualistic or not.</font></font></font></p>
<p><font color="#000000"><font face="Arial, sans-serif"><font size="2">Chen Yen is part of the Diamond Vehicle training. This Vehicle is described as ultimate, formless and inexpressible in nature. Chen Yen school uses what is present within one’s selfhood to attain this non-selfish formlessness, it exhausts and develops the spirit of non-attachment to both concepts and experiences equally. No doubt there are many elements within Chen Yen which have no place there at all, as indeed within Ch’an also, however, as Chen Yen teachers say, the only way to really understand its teaching is to practice it.</font></font></font></p>
<p><font color="#000000"><font face="Arial, sans-serif"><font size="2">Meditation within Ch’an teaching takes one form, in Chen Yen it takes hundreds, according to sect and Master. There is a broad base upon which most sects agree. A great deal of visualisation technique is utilised. Students are taught how to create certain colours, sounds, shapes and special symbols as standard practice. After some time they come to recognise that these symbols are in fact part of their own ego natures and with this understanding the symbols are relinquished. The training then develops along paradigmal lines in the students’ emotional, intellectual and physical experience.</font></font></font></p>
<p><font color="#000000"><font face="Arial, sans-serif"><font size="2">Much of the training could be viewed as mystical in that its inner essence can only be understood by the practitioner via his teacher. Thus the importance of the teacher is indeed great. He is the guide who points the way. Most serious students live close to their teachers and study for some years before being given permission to leave and practice alone. There is no central canon of sutras in Chen Yen. Although by tradition certain ones are utilised these are not considered essential for development. With the right teacher any of his writings can be considered as a scripture. Within our group these are called <em>Himitsuwa</em>, that is, mystical writings of the various teachers. These are considered as records of their personal experiences and as students ‘guidelines’ rather than authoritative texts of a Canon or Doctrine. The <em>Himitsuwa</em> developed as expression of the teachers’ experience in meditation or meditational practice and it is this charge <strong>to practice</strong> which is most important for the development and understanding of any form of Buddhist teaching.</font></font></font></p>
<p><font color="#000000"><font face="Arial, sans-serif"><font size="2">Because the world we inhabit is a complicated and intricate place, enmeshed in its own dehumanising machinations, Vairochana has chosen to explain his teachings by means of describing the nature of structure itself. From within this understanding we can begin to develop an awareness of our own part in its perpetration and thus, hopefully, emerge from within it free and spiritually awakened. One way in which the teaching of Vairochana is expressed is via Art and Form. The designs known as <em>Mandara</em> (mandalas) form patterns describing qualities of experience and understanding potentially within our natures towards which we begin to orientate our aspiration and development. By being shown the meanings of the <em>Mandara</em> at many levels we can begin to understand the interplaying forces present within our ego natures. The associations of colours and shapes within the <em>Mandara</em> describe varieties of our own religious and mundane experiences and by understanding this interplay and integrating the recognised ‘blind spots’ within our development, we can begin to see clearly the path that has to be walked.</font></font></font></p>
<p><font color="#000000"><font face="Arial, sans-serif"><font size="2">The two main <em>Mandara</em>, that of the <em>Taizokai</em> and that of the <em>Kongokai</em>, describe the same experience of understanding from two points of departure, they are not differentiated from each other by any innate quality, it is only our own ignorance which halts us from seeing one within the other. Suitably taught, we can recognise one as the other and vice-versa. This state of equal recognition is described in a further <em>Mandara</em> called in our Order the <em>Ryobu Mandara</em>. This means the <em>Mandara</em> of Two Worlds united and representative of total Enlightenment itself. The <em>Ryobu Mandara</em> is a paradigm of our own spiritual journey, for the integration of the <em>Mandara</em> is none other than the development of our own understanding of the teachings. The <em>Mandara</em> is ourselves and we are it. The form of instruction is in fact very practical, by studying and sometimes reproducing the <em>Mandara</em> patterns ourselves in a meditative manner we can begin to experience the meanings behind our sense of sight and form, consciousness and ego in many different manners. The <em>Mandara</em> is in fact giving or helping to develop a sense of our own mental aggregates ‘at work’ in a way quite unlike ordinary meditation. As each part of the <em>Mandara</em> has to be painted with certain Shingon (mantra) and other devotional practices, we cannot fall into the ego trap of self-pleasure in our own artistic creation, the manner of activity precludes this entirely. What we are aware of is the interpenetration on all manifestations of Vairochana and, by this, of all human beings and their suffering in the world of Samsara. The <em>Mandara</em> itself is also a paradigm of our own circle of influence. At all levels the <em>Mandara</em> makes us aware of our limits and boundaries, be they of commitment or emotionality. Creating the border of our own mind is an indispensable experience of Chen Yen teaching.</font></font></font></p>
<p align="right"><font color="#666699"><font face="Arial"><font size="2">Copyright ©Shifu Nagaboshi Tomio 1993</font></font></font></p>
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			<media:title type="html">Aliases: Kukai Myoe, Kukai Mikkyo.</media:title>
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